Continuing with marks in the sand


While thinking about contemporary ephemeral communication of twitter- we are interested in creating an interactive object that provokes thought on the distance we have come from when messages could be left in little more places than the sand.

Peter, Luis and I have discussed how the simplicity of connecting a twitter account to a slab of sand will inherently speak to humans' desire to communicate or to leave traces- sometimes regardless of who's listening.

In coordination with the latent mechanical restrictions of the device & code, the messages that the user will be able to communicate will be restricted. In a sense this is another reflection of the way in which we quickly communicate with simple and homogenized icons for example thumbs up or "like". This message restriction will exist in the form of two to four words written in the sand. Potentially "young", "old", "happy", "sad". The user can write one of the words to the twitter account and the marble will move in the direction in which that word is written in the sand until the marble is circling the word. This circling motion will continue until a different word is tweeted to the account.

As with art objects, this device will likely be used by the owner and his or her friends who will know the twitter account to which they can direct they message. This naturally contains the volume of tweets to an amount of participants decided by the owner. Or potentially, if the the sand exists in a more public space like a gallery the account would be known by those who visit the show.

I think to explain "Oh, you just tweet happy#sozen" for example is simple enough for people to explore the poetics of the object and its meditative properties.